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Triarii – Pièce Héroique [Full Album]
Le crépuscule des dieux 0:00 On Wings of Steel 5:38 Heldentod 8:52 Kameraden 12:17 Overkill 17:02 Roses 4 Rome (feat. Ordo Rosarius Equilibrio) 20:44 Victoria 24:39 Kingdom of The Blind 28:37 Heaven & Hell 36:20 The Inevitable Farewell of Democracy 40:13 Bloodtoil 42:49 Sun & Reign 46:08
In vitus per degeneratum – veritatis splendor.
- HARTKUNST vs KUNSTMORD (What we invoke vs what we seek to banish).
- Entartete Kunst (A critical overview of the presented genres).
- Respite & Closing – White Pills (Morale for a troubled World).
- Supplementary Content Index I-III (See comment section).
–HARTKUNST vs KUNSTMORD:
Featuring: Classical, Renaissance, Neo-Classical, Romanticist, Baroque & Realism Art Periods which created some of my favorite body of works, the height of creative European passion.
DISCLAIMER: This post is not in any way shape or form to be construed as Virtue Signaling or to Purity Spiral upon other dissident(s), I am not a prude, nor do I seek to pigeonhole artistic expression into a singular structure or manner of expression. Whilst I do not wish my critical perspective perceived as Gatekeeping, I do feel very strongly that art should primarily focus upon evoking beauty, strength & grandeur especially if you’re a dissident in today’s sociopolitical climate. Whether you’re an appreciator of art or have an artistic background regardless to this case, whilst artistic mediums can indeed invoke darker expressions for example, melancholy, grief & anger even, the execution of such raw passion should still remain tasteful. I am certain every dissident can all agree that the world is already filled with enough ugliness, there is no need to contribute to said downward spiral.
The question being where does one eventually draw the line? For instance, I am strongly opposed to debased degenerate art with questionable subject matter or dangerous motives, whilst I am not puritanical, some forms of media simply do not deserve the label of “Art”. Mind you everyone has Artistic preferences; I am not trying to box in morality with preference like some would be dissidents tend to exercise online, nor do I intend to keep Art a rigid classification which disallows growth continual to advancement of mediums.
“Idealists, workers of thought, unite to show how inspiration and genius walk in step with the progress of the machine, of aircraft, of industry, of trade, of the sciences, of electricity.”
– Filippo Tommaso Marinetti.
For example, I am an aficionado of Futurist works in particular to 1909-1944. Futurism as a core movement were originally comprised of Italian WWI veterans who adhered to a particular type of Krieg-Ethos which formed a break away from Modern Art with aggressive fervor, unlike other movements early Futurists were open supporters of Fascism, Militarism & Industry in line with the next evolutionary step of European man. However, to speak critically about the movement in the broader artistic sense I am aware not all of it is good, execution-wise some of said work still adheres to the prior experimental techniques of “Modern Art”. Namely Abstraction over skill & even borderline Dadaist garbage which I abhor with an extreme passion.
I should emphasize the fact that many dissidents in particular to online players take an overly vindictive & even downright puritanical stance regrading contemporary artistic expression which I strongly dislike, there no culture after all without art. Therefore, it is our responsibility to take back these institutions rather than to forsake them entirely. Additionally, we cannot expect every individual artist to mirror our own convictions politically or otherwise, let alone should we expect carbon copies of figureheads who uphold unrealistic standards over people. Oftentimes these so-called standards can be summed essentially to just individualistic preferential cherry-picking rather than genuine virtues.
“Blind Mask” Series by Artistic Photographer Laura Sheridan.
As for the arts, I also enjoy certain works of varying mediums within the genres of Art Nouveau, Modern Surrealism & Neo-Baroque however, much like the aforementioned genre Futurism I consume such in heavily moderated dosages not unlike my personal penchant for procuring authentic Salty Black Licorice or Italian Roast Coffee.
A little background information before I proceed, in my youth ~ Age: 19-22 I attended Art school, initially majored in New Media: Film & Photography before switching majors to Industrial Design & Illustration with a Science minor in Neuropsychology. I later dropped out off the radar entirely regarding anything Art related in 2005, my former Art School peers left a permanent lasting negative experience upon me, a few years later I sought to pursue instead Trade School where I received training to be a “Metal-Refining Furnace Operator” & worked in the Steel-Production industry as a Central Melt Operator for some time. Approaching my 30s I strongly considered pursuing the field of Metallurgical Science, to which I dedicated much time to impromptu home-study. Ultimately, I decided to re-consider that option as that would expend many more years of my life, at the cost of depleting my treasury & accruing debt for the decades to follow.
The M.L.T. Specialization typically requires a doctorate.
My late father wanted me to become a professional chef as I had an aptitude from early life for complex preparation with visual flare, incidentally after Art school I very nearly went to culinary school instead of working in Steel. However, more recently upon meeting my beloved not long before my father’s passing in 2017, I’ve managed to re-kindle my true creative passion “Industrial Design”.
One day in the future I might post some of my professional work here (albeit masked), having dissident-right political views can make that especially difficult which is why I have been careful, maintaining a strict division between professional body of work & web presence which I use to express my views.
I digress, now proceeding off this tangent with the post.
One should seek Hard Art rather then the Death of Art in entirety.
Pop-Art – Founded by charlatan hipster print-maker Andrew Warhola a.k.a Andy Warhol, a would be aspiring graphic designer who vied for a lavish alternative lifestyle upon little merit, he did not want to become famous after death like genuine artistic predecessors before his time hence became a parasite, destroying the lives of other people to get ahead in life i.e. his tragic relationship with Edie Sedgwick. There is a particular reason why I am making reference to this overly hyped pseudo genre.
I am very familiar with this particular type of “group think” which makes me question the end goal of said creative vehicle. Basically, one seeks to be a parasite in a land of parasites, essentially adapting the behaviors of our eternal enemy, sounds rather contrived & self-destructive to me.
See: Comment Section Pt I for supplemental visual captures.
Whilst Pop-Art focused primarily upon flamboyant glamour, idolizing cosmopolitan hedonism, fame, stardom, superficiality, popular culture & ultra-modernism, such also gave rise to a doppelganger in recent decades known as “Anti Pop-Art”. The latter movement focuses upon championing social decay, violence, cruelty, serial-killers, snuff-films, pornography, necrophilia (or worse) as societal tropes, to be compiled into audio/visual media assemblages. Whilst differing conceptually to its former counterpart Anti Pop-Art is equally nihilistic & without a shadow of doubt reflects degeneracy of the highest order.
Essentially the genre of Anti-Pop Art attempts to validate anti-social tendencies for the sake of shock value, unlike Hard Art said genre does not rely upon any inherent skills necessarily & may even utilize anything from newspaper/magazine clippings, garbage, crude line work or even flat out plagiarism of preexisting artistic work. Considering the nature of such individuals who do not value the sanctity of another individual’s work so long as the end result grabs attention.
Initially Anti Pop-Art as a movement was founded out of the CoS (Church of Satan) with strong latter influence from The Principa Discordia (A Schism of the I.OT. Illuminates of Thanateros – Chaoism) The I.O.T. summarized is basically an Occult group which idolizes death & utilizes bastardized Pagan Esoterica merged with Modernist Chaos Theory, these individuals essentially feel that inherent good in mankind is a fabrication & the only thing preventing men from committing violence, rape, robbery upon their fellows is the artifice of law & order thereby using this logic they feel that morality is obsolete.
“Everything is Permitted, therefore everything is true” – The I.O.T.
This is not unlike “Nothing is Sacred, therefore everything is permitted” which I have used to describe the Zionist/Cultural Marxist agenda running amok within Western/European society today.
Being a Dissident is not about latching upon extreme imagery for the sake of shock value, these are the habits of either very young people going through a rebellious phase or broken empty people who are unable to draw a positive reference to anything else.
Whilst said image is surely intended sarcastically in light of the migrant invasion crisis within Europe, the tone is abysmal. Emily Youcis is also American therefore does not have to face this kind of potential adversity or harm upon herself, which is why this manner of outward expression is in incredibly poor taste. Shock value aside, what is more subject to scrutiny are the noticeable overt Cultural Marxist overtones present within her projects & collaborations (Alfred Alfer & Egrevore). Emily has admitted on a Red Ice Radio interview 3-4 years ago that she was indoctrinated by Cultural Marxism in Art school however, having been more recently informed to said corrosive influences has since distanced herself from her former path, or so she claims.
I don’t believe she is genuine beyond attention whoring, for platform.
One cannot claim to be enlightened, mentally, spiritually or otherwise yet still adhere to detrimental habits of one’s past, a superior individual is not one who plays the part an arrogant archetype hence derives entitlement to superiority rather than merit, rather one who transcends faults of their former inferior self is indeed closer to the over-man (Übermensch/Herrenvölk). In which case being a dissident is not about flogging people over the head with the redpill when amusing or just simply at someone else’s expense, being redpilled does not give a person free license to be a cretin, many would liken themselves to be a degenerate chaotic hypocrite 99% of the time while only acting the part of a grounded traditional person for the sake of appearances 1% of the time.
Emily’s work tends to incline towards dark comedy – I’ve seen this lot before her i.e. Anglin (Dailystormer), Sinead (Renegade Tribune/Firestarter Media) etc. Amusement factor aside her core media remains questionable. Honestly this approach is not tasteful, artistic or appropriate for any audience, one should note the slew comedy implies lack of character or substance, low brow humor indicates to one’s audience that they must shut off their brain completely to partake of said content. One can use humor for levity, catharsis is necessary & even healthy in moderation however, when it becomes one’s primary mode of operation I have to question said individual especially in light of other content.
See: Comment Section Pt II – Scum Tier (98% of her content is too nihilistic for this post).
When I refer to questionable content, it should be directed to subject matter. My main concern here is not about stifling personal creative expression but challenging false justification of subversive visual media. A genuinely politically galvanized dissident would prefer normalcy, balance, illumination & steeled resolve against the looming darkness which shrouds our future horizon in uncertainty. Rather than relishing in said darkness/confusion no differently than our enemy would do, partaking of media which confirms negativity does not help anyone advance or heal themselves.
Speaking of healing, a momentary impasse to reflect upon Germanic beauty in art, looking up degenerative media for the sake of discussion has a spiritually stifling affect on me just as well.
Just because one would claim to be a political dissident does not make them one, I am tired of the Fashy shock jockeys who would “sieg heil” during public outings simply to claim their undeserving five minutes of pomp & clout. To my dismay I am less enthused & even disappointed that established individuals within the dissident-right confluence appear indifferent about inquiring into someone’s background interests or questioning validity of a person’s conviction. It appears so long as someone is parroting the appropriate jargon for sake of appearances or massaging another person’s ego, they get a free pass.
Lastly, certain individuals (who shall remain unmentioned) do not have room to cast judgement upon others, understand I have been very critical however, my reasoning judging as so I feel is grounded (correct me if I am wrong), whereas for another to impose upon others as to who or what is degenerate & questionable, claiming exclusive authority on what is an exemplary characteristic or set of rulings. Yet for themselves to remain intellectually dishonest about their own practices which is contradictory if not ironic. For example, many would be self proclaimed dissidents speak downward upon traditional ethnically cohesive European women who should be closer to their ideal, often these are the same individuals who constantly rant about tribal-racial purity only to initiate witch-hunts upon would be allies & contemporaries alike. Nine out of ten times within reality outside of the echo chamber (offline), this same lot – as single men fawn over polarizing photos of Björk.
As my beloved would often gleefully quote Marie Antoinette – “let them eat cake”.
–Respite & Closing:
A White Pill: +88 Morale Boost, as Natassja phrases “litla ni ni’s” a potent cure for a mad world.
(19:45 Onward For the most precious Blondie baby goat).
Video by: Blue Cactus Dairy Goats
Say no to Scape-Goating! Did you know one of the earliest incarnations of systematic animal cruelty was perpetrated by early Judaic tribes? I am not just referring to Kosher slaughter either. Both in the literal sense of making a poor goat suffer for the sins of clearly guilty & deranged Semites, as well figuratively speaking, such as evidently the case within the Germanic/European population having been forced to pay eternal penance for false crimes against Jewish people or otherwise.
Rather – Go out against tyranny (G.O.A.T.) – Thwart Zionism!
See: Comment Section Pt III panic buying comparisons & for more positive respite.
Nothing good in this world comes to men easily, it is by deliberate design that our eternal enemy wishes for both European men & women alike to become demoralized, to erase our heritage & edifices, to destroy the family unit & erode our values. For one to consign themselves into nihilistic madness, a Blackpilled frame of mind, to champion Fatalism over Ambition. As to forfeit fighting for the institutions & civic-foundation of European creation or advancement against enemy maneuvers can mean only one thing – Accepting defeatism. Relinquishing re-conquest only makes our enemy more powerful; they don’t fear random misanthropic nihilists preaching the end of civilization, rather they fear when many begin radiating hope in cohesion & solidarity.
Bright morale which radiates like the sun, akin to a blinding bonfire, which makes rats flee into the shadows. Bona Fide venit in veritate – Good faith comes in truth.